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Discover how Justin Olsen captured these stunning shots during his hike up the Four Mile Trail to Glacier Point in this "How I Got This Picture" interview.
Image Title
Vista From 4 Mile Trail
TECHNICAL INFO
FILM USED
ILFORD DELTA 400
FORMAT
35mm
CAMERA
Rollei 35 (made in Germany in the 1960s)
LENS
Fixed 40mm Carl Zeiss
EXPOSURE TIME
It was an in and out stormy day. Many different exposers.
LOCATION
Four Mile Trail, Yosemite National Park. California.
FIRSTLY, TELL US THE STORY BEHIND THI...
In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023.
WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park.
Image Title
Monolith
TECHNICAL INFO
FILM USED
Kentmere Pan 400
FORMAT
35mm
CAMERA
Nikon F5
LENS
Laowa 15mm F4
EXPOSURE TIME
30 minutes at f/4
Other Equipment
Tripod, Remote shutter release
LOCATION
Balanced Rock, Arches National Park, Utah, United States, Earth
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
All the way from Los Angeles, our 83rd 'In Focus' interview is with music and surrealism photographer, Laura Moreau.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
This photograph features my friend Samira, taken on ILFORD SFX200 with my Mamiya 645. I was in the ocean, hoping to capture the glimmers, as I have an obsession with them. Suddenly, a massive wave came out of nowhere, and I still can’t believe I managed to jump and take the sho...
This week, for our 84th In Focus interview, we speak with Austrian photographer and writer Birgit Buchart, who made the move to New York City in 2018.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
In my early 20s, I spent a lot of time on the road with musicians, shooting a lot of concerts and festivals. And while they appreciated the documentation of the shows, I never truly loved the photos. To me it was not very interesting to photograp...
La Santísima Tragedia
Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography.
Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía.
Latin American Society
Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...
The Essence Of My Home
Hello everyone! Today, I want to open the doors of my soul and share the essence of my home: Las Negras and Cabo de Gata. A piece of land that not only saw me born and grow, but also shaped me as a person and as a photographer. Through my lens, I want to show you the magic that emanates from every corner of this paradise in southern Spain, but I also want to reveal the wounds and contradictions that afflict it. I am a native of Las Negras, a small village in the heart of Cabo de Gata...
Everything Shifted
I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...
Best known as grainydays on YouTube, our next In Focus interview features Jason Kummerfeldt, who has been shooting film for seven years and shares his journey through photography, from the bad to the good.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
This image is one of my all time favorites and one of my own few pieces I have hanging up in my cramped no-wall-space apartment:
I shot it on my Mamiya 7 on ILFORD XP2 if I remember co...