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Discover how Justin Olsen captured these stunning shots during his hike up the Four Mile Trail to Glacier Point in this "How I Got This Picture" interview.
Image Title
Vista From 4 Mile Trail
TECHNICAL INFO
FILM USED
ILFORD DELTA 400
FORMAT
35mm
CAMERA
Rollei 35 (made in Germany in the 1960s)
LENS
Fixed 40mm Carl Zeiss
EXPOSURE TIME
It was an in and out stormy day. Many different exposers.
LOCATION
Four Mile Trail, Yosemite National Park. California.
FIRSTLY, TELL US THE STORY BEHIND THI...
In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023.
WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park.
Image Title
Monolith
TECHNICAL INFO
FILM USED
Kentmere Pan 400
FORMAT
35mm
CAMERA
Nikon F5
LENS
Laowa 15mm F4
EXPOSURE TIME
30 minutes at f/4
Other Equipment
Tripod, Remote shutter release
LOCATION
Balanced Rock, Arches National Park, Utah, United States, Earth
FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT?
...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
All the way from Los Angeles, our 83rd 'In Focus' interview is with music and surrealism photographer, Laura Moreau.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
This photograph features my friend Samira, taken on ILFORD SFX200 with my Mamiya 645. I was in the ocean, hoping to capture the glimmers, as I have an obsession with them. Suddenly, a massive wave came out of nowhere, and I still can’t believe I managed to jump and take the sho...
This week, for our 84th In Focus interview, we speak with Austrian photographer and writer Birgit Buchart, who made the move to New York City in 2018.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
In my early 20s, I spent a lot of time on the road with musicians, shooting a lot of concerts and festivals. And while they appreciated the documentation of the shows, I never truly loved the photos. To me it was not very interesting to photograp...
La Santísima Tragedia
Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography.
Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía.
Latin American Society
Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...
Hand colouring
The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph.
Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce, it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
ILFORD PHOTO offer the biggest range of black & white films on the market today. While this is perfect for experienced film photographers who love having a choice, we appreciate that it can be a bit confusing for people new to film photography.
If you are looking to try film photography for the first time and are wondering where to start, then you have come to the right place.
We should start by pointing out that there is no ‘wrong’ choice when it comes to ILFORD films. They are all fantastic,...
What are film developers?
Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides).
We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...