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  • Happy Accidents For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures. ILFORD FP4+ Photosynthesis Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...
  • In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
  • In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...
  • The Main Topics My name is Maria Guțu I am a Moldovan born and  based photographer, focusing on long term documentary projects.  In 2022 I finished my studies at the Docdocdoc School of Modern Photography, Saint Petersburg, earlier, in 2020 I graduated in cinematography at the Academy of Music, Theatre and Fine Arts from Chisinau, Moldova where I have been studying for 4 years. The main topics in my work are remote places, youth, the notion of the home and the relation between humans and the environment...
  • This week's product focus for #ilfordphoto #fridayfavourites was #marchonkentmere400. This is our budget-friendly range, affordable yet still delivering high quality results, take a look at our top 5 this week! @peterdurst.bsky.social‬. This week, the product focus is photos taken on Kentmere 400 using the #fridayfavourites & #ilfordphoto tags. I love Kentmere 400 in 120 Fuji GS645W Kentmere 400 Whitehorse, YT.   @mastersylvan.bsky.social. Throwback to my first roll of Kentmere for Ilf...
  • La Santísima Tragedia Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography. Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía. Latin American Society Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...
  • Film Photographers survey 2024 At the end of 2024 we asked you to complete and share our film photographers survey. We wanted to understand what's important to you, the film community, irrespective of which film brands you shoot. We hoped that the results would provide us with an invaluable insight into the behaviours, expectations, and preferences of film photographers around the world. The results Over 14000 of you from more than 110 different countries completed the survey. We saw film shooters of ...
  • Dialogues With Nostalgia My work in photography is deeply connected to light and emotion. Black and white analog photography allows me to explore these elements with a unique sensitivity, where each image results from a constant search to capture the ephemeral and the timeless. I shoot with ILFORD Delta 400 and ILFORD HP5+ films, using cameras such as the Mamiya RZ67 Pro II, Nikon F100, and Nikon F6, because their grain and tonal range offer a texture that dialogues with nostalgia, memory, and melancholy, ...
  • You have loaded film into your camera, composed your image and pressed the shutter. You have now captured an image on your film. When that film is processed, it reverses the tones of the subject. In simple terms, the image is dark where the subject was light, and light where the subject was dark. That resulting image is known as a negative. What do I do with them? Negatives are normally then used to make prints by reversing the image a second time to restore the light and dark areas to their original tone...
  • Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...

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