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Gosia Janik gives us the lowdown on how she captured this striking portrait.
Image Title
Xu Jing
Technical Info
Film Used
ILFORD HP5+
Format
Medium format 6x5
Camera
Mamiya 645 AFD
Lens
Mamiya 80mm f2.8
Exposure time
1/60
Location
Home/studio in Madrid
Firstly, tell us the story behind this image. What inspired you to shoot it?
I often work with “new faces” - models that are sent to me by agencies to shoot a session for building or renovating their portfolio.
Xu was sent to me by...
Fascinated By Portraiture
Ever since I´m shooting photos I am fascinated by portraiture. There is something special to photograph a person. It´s always a very intimate moment and you have to build a relationship to each person that is in front of the camera. After shooting 35mm for a while I wanted to try something new. Inspired by Nick Brandt and his wildlife portraits in "Across the Ravaged Land", I found out that he uses a Pentax 67 including a 105 2.4 lens for his absolutely outstanding work. Long st...
Queer Representation
I made the first photograph for The Queering of Photography in 2015. I had recently begun my doctoral studies and there I was, in the Royal College of Art studios, trying to make a start with an academic project on queer representation. My friend Ruth had agreed to sit for me and together we set up the studio. Once I placed a piece of masking tape on the floor, Ruth positioned themselves just behind, ready for the first frame. I had brought with me a handful of printouts from photobook...
'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920
Concrete Photography
Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
Fading From View
My project “Extinct" aims to highlight our quickly vanishing natural world. Just as photographs can fade over time, so many species on our planet are also permanently fading from view. The delicate chemical process of film photography I have chosen highlights the fragility of the medium as well as the state of existence of the species portrayed. Compositions bare the mark of their making. The edges of the frames are vanishing. Imperfections are left on view.
As analogue photography is...
Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series.
IMAGE TITLE
12 ways to …
Technical Info
Film Used
ILFORD HP5+
Format
120
Camera
Hasselblad 503cw
Lens
Planar 80mm
Exposure Time
1/125s at f16
Other Equipment
Elinchrom Studio flash
Location
Paris, FRANCE
Firstly, tell us the story behind this image. What inspired you to shoot it?
I have been passionate about black and white phot...
Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
The Love Affair
I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me.
Something Was Unlocked
As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...