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Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
Wednesday Afternoon
I remember the message on Instagram from Clare one wet Wednesday afternoon whilst I was halfway through my maternity leave… “Julie & I are getting married on Sunday, any chance you’re free?!” I was absolutely thrilled to get to shoot Clare & Julie’s wedding day and knew they’d make it absolutely their own. They had just 4 guests (their two best friends and their two sisters) and it was such a special and beautifully intimate day.
The Most Loving Ceremonies
Alth...
In celebration of International Women's Day, the theme for this week's #ilfordphoto #fridayfavourites was #sheshootsilford. We are lucky to have so many creative women who are using our products to produce their work, and we are honored that they let us share it.
@hannahjuliettephotography First roll of film in my new camera ? Thank you @victorialeighhughes for modelling ✨ @plymouthdarkroom @soperphotographic #filmphotography #120 #ilfordhp5 #ilfordphoto #sheshootsilford #sheheartsfilm #shes...
For our 68th In Focus interview, we speak to landscape photographer Bill Brooks. Bill enjoys photographing the landscape. He is particularly interested in how it has been affected by those who have gone before us and how it impacts the lives of those who occupy it today. His work is influenced by painters and writers as well as other photographers.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
A recent favourite is Sullington Yew, from my ...
Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff.
Who are you? What’s your job title at HARMAN technology and how long have you worked here?
My name is Paul Cliff and I have been with the company since February 2023.
Tell us a little about your day to day role.
I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...
We have had some fantastic entries submitted for this week's #ilfordphoto #fridayfavourites theme being #themefree. Take a look at our top picks for this week:
@jessmathewsphotography. Stirling Ranges, Western Australia shot on Ilford XP2 Super 400 using Canon EOS 5.Developed at @silverhalidestudios #ilfordxp2 #ilfordxp2super400 #ilfordphoto #fridayfavourites #themefree
@sbills15. A mixture of ILFORD film - Delta 400, Pan F plus (top right and left bottom) and some HP5...
«If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller
Community Of Male Bathers
Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
Introducing our 71st In Focus interviewee, Malik Rainey. Malik specialises in editorial and social documentary photography. However, Malik only became hooked on film when his friend Teo traded him his Pentax P30T for his bike.
Section 1 - Background
Share your favorite image/print shot on ILFORD film and tell us what it means to you.
This image is an all-timer for me! I always find myself returning to this image because it’s perfect, from the little girl smiling directly at me to the boys playing baske...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...