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  •  A History on the Road In May of 2023, I loaded up the car and I headed off to the North Cascades. The freeway had just reopened after a long, icy winter. I was desperate to break out of my work routine and follow my creative pursuits. Growing up in the American Southwest I spent my childhood in the back of my father’s pick up on our family’s retreats. Being from a blue-collar middle class family, we were never going anywhere fancy. We made pilgrimages to Arkansas in my youth where abandoned and di...
  • Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
  • My First Child I got pregnant with my first child in early 2020. Our 12 week scan took place three days before the announcement of the first lockdown in the UK. I spent the majority of that pregnancy in isolation, with no face to face appointments with any health professionals and barely any contact with friends and family beyond WhatsApp or the occasional video call. This New Chapter To make matters worse, I fell at home at around 30 weeks pregnant and broke my left wrist. I spent the best part of 1...
  • Sharing Our Experience One Day At A Time Boys is an arts project that has run for the past 3 years in Damien John Kelly House (DJK), a recovery community for men based in Liverpool 15. Offering a program of support based in the arts, sport and culture. We celebrate our community, explore individuality whilst documenting our personal growth and shared experience. Applying recovery values of willingness, honesty, and open mindedness within a creative setting. Marrying up the transferable benefits and lessons...
  • Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview. IMAGE TITLE Downtown Toronto #2 2023 TECHNICAL INFO Film Used ILFORD HP5+ shot at 1600 ISO. FORMAT 35mm. Camera Nikon F3. Lens 17mm Tokina Prime Lens. Exposure time Can't Remember. Location This shot was taken looking up into the mist-covered buildings at the intersection of King s...
  • Concrete Jungle At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the community...
  • Pain or Peace There are some moments in a man's life that are truly capable of changing him in the depths of his being. Whether through pain or peace, sadness or joy. For a photographer like me, the feelings that arose in my heart over the years also became part of my photographic language. 13 Years Old On February 9, 2020, my younger brother, Pedro Henrique, passed away while battling cancer. He was only 13 years old. At first I felt that I had lost all my motivation as a photographer and as an individu...
  • Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...
  • The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
  • Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

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