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Opportunities
Now and again in life opportunities arises that you just have to take. You know, the ones that if you think about for too long will be missed, so you have to jump in with your best foot forward, or in this case with your best film forward.
This happened to me last year as I was casually talking to someone about my work they mentioned that they had access to an old building that had recently been vacated and was to be sold at auction. The building had been untouched for years, and they sai...
Violin
Technical info
Film Used: ILFORD HP5 plus 400
Format 120 (6*6)
Camera Hasselblad 503CW
Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4
Exposure time Double exposure (f/5,6 1/30s)
Location: Petrozavodsk (Russia)
Tell us the story behind Violin. What inspired you to shoot it?
I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...
An honest representation
Two souls one vessel is a documentary project focusing on capturing the lives of drag queens, trying to tell their stories and create an honest representation of who they are in and out of drag, this series includes male, female and transgender drag queens.
Attracted to the surface glamour of the world of drag queens, I’ve explored the performance and behind the scenes to show the emotion and reality.
Alfie-Ordinary
Altering perspectives
Thinking about the project and th...
HARMAN technology Ltd, the manufacturer of ILFORD photographic film, darkroom paper and chemicals, has announced the ILFORD SIMPLICITY range of photo chemicals designed for convenient, easy-use film processing.
The ILFORD SIMPLICITY range of film processing photo chemicals have been created for convenience and ease of use. These sachets are ideal for photographers who want to try processing their own film but have until now been apprehensive about the process and/or may not have required the larger volum...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
There was this one scene I wanted to capture. I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak. Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface.
...
My love for film is strong, but it wasn’t my first photography love. When I first started out as a landscape photographer my focus was on digital infrared. I was drawn to the unique view that it captures. Last month my two photography loves came together when I was given some SFX200 Extended Red film by ILFORD.
When I shoot film I use a different set of skills to when I shoot infrared. One of the most important elements of shooting infrared digital is the quality of the light - the distribution and o...
Thank you
In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around. This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you.
While many of the results are in line with the growth seen since the re-emergenc...
Mindtraveller
Technical info
Film Used: ILFORD HP5+ (pushed to 3200)
Format: 120, shot as 6x7
Camera : Mamiya RB67 Pro SD
Lens: Sekor 50mm f4.5
Exposure time: 20 minutes
Other equipment: Tripod
Location: Norman Wells, Northwest Territories, Canada
Tell us the story behind this image. What inspired you to shoot it?
In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis. On many nights, the spectacle is nothing more than a faint gre...