Search results for: 'technical film'

One Specific Speed Rating Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...

Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...

Sharing Our Experience One Day At A Time Boys is an arts project that has run for the past 3 years in Damien John Kelly House (DJK), a recovery community for men based in Liverpool 15. Offering a program of support based in the arts, sport and culture. We celebrate our community, explore individuality whilst documenting our personal growth and shared experience. Applying recovery values of willingness, honesty, and open mindedness within a creative setting. Marrying up the transferable benefits and lessons...

Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview. IMAGE TITLE Downtown Toronto #2 2023 TECHNICAL INFO Film Used ILFORD HP5+ shot at 1600 ISO. FORMAT 35mm. Camera Nikon F3. Lens 17mm Tokina Prime Lens. Exposure time Can't Remember. Location This shot was taken looking up into the mist-covered buildings at the intersection of King s...

Find out how film made Sebastian Fehse a better photographer and how he creates these masterpieces in 'How I Got This Picture' blog. TECHNICAL INFO FILM USED ILFORD HP5 Plus 400 FORMAT 35mm CAMERA Nikon F3/T LENS Nikkor Zoom 70 – 200mm f4 EXPOSURE TIME 1/500 at f8 OTHER EQUIPMENT None LOCATION Alpe di Siusi, Italy FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? I have been to this place and especially the Dolomites already 2 times. So, I knew what ...

Meet Lindsey Campbell, the SHE manager at HARMAN Technology and our 17th featured guest in the 'Behind The Film' interview series. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? I’m Lindsey – the SHE (Safety, Health and Environment) Manager. I came to HARMAN in 2020, just before the pandemic hit, so have been here for four years. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. It’s something of a cliché, but every day really is different. There are day-to-d...

Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...

We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...

What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...

We are guessing you are as excited as we are about this week's 'How I Got This Picture' interview with Amir Amiri. Discover how Amir creates this phenomenal long exposure dance shots. Image Title Reverie TECHNICAL INFO FILM USED Kentmere Pan 100 Format 35mm Camera Canon A1 Lens 50mm f1.8 Exposure Time Between 10 to 12 seconds Other Equipment 2 studio flashes and one tripod FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? I was trying to make som...