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Earlier this year my go-to black and white film of choice had its priced hiked astronomically, making it an un-affordable option for my daily choice. I set about exploring some different options, which included revisiting HP5 (a film, I must confess heretically that I have never gelled with), pushing FP4 to 400, Foma 400 and 200 pushed, and - the film for this short piece - ILFORD’s XP2.
I might not have even reached for a roll of XP2 had I not discovered the experiments of another analogue photogr...
Team photographer in quarantine
I started shooting film when I was 14, that's more than half of my life! Since then it’s always the same excitement to finally see prints and scans.
Somehow I never seriously dived into analogue indoor sports photography until corona. For the past four years I’ve been the team photographer of the HAKRO Merlins Crailsheim and they asked me to join them for the final tournament to finish the first basketball division in Germany.
Ten teams, one hotel, quarantine till ...
HARMAN is pleased to announce a dedicated* ULF campaign for our ILFORD ORTHO PLUS film in Spring 2021.
This represents a short but exciting window of opportunity to source non-stock sizes of a unique and wonderful film with a variety of applications.
ILFORD ORTHO PLUS is an extremely fine grain, sharp, orthochromatic film that is used in both technical and photographic applications. This including medical and scientific use, the copy of negatives and the creation of stunning images.
As a well-establi...
The last days of Summer
As the last days of summer drew to a close I worried about the stock of low ISO films I'd accumulated. As much as I’ve enjoyed my film only ventures over the last year I do worry about the availability of light in London where I do the vast majority of my shooting. Due to limited storage space I can only commit to shooting so many rolls at once, and with the long, bright days diminishing I needed to make sure I had room for as many 400 speed films for pushing (HP5+ & Delta 400...
My default Choice
Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...
An Unexpected Love
My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon. We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to.
Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...
Why Film?
Since 2016 I’ve messed around with film casually alongside digital. Early 2020, COVID-19 forced me to return a year early from a mission trip in Colombia and completely restart my life from zero. I couldn’t afford a digital camera like the one I sold to go on the trip but, my good experiences with 35mm SLR cameras in the past led me to pick up an Olympus OM-10 for $40 and I haven’t shot digital since.
Where it began
As a photographer this was my first venture into making physical art....
In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints.
The Concept
At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film.
Introduction
Who are you? What’s your job title HARMAN technology and how long have you worked here?
My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...
A chance encounter
We started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and we found that we both saw the potential of the landscape to resonate with inner experience and make it visible.
We were both using a camera called a Holga. An incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting...