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How It Began
Queering Rural Spaces began as I was personally starting to think about where my wife and I would settle down to start our family. A part of me missed living on a farm. However, I wasn’t sure I would feel safe being in an openly gay relationship in a rural area. So I began to look for and talk to people who were already living those experiences. For the past two years I have been meeting and photographing LGBTQIA+ farmers who live or work on a farm in rural areas of the United States.
S...
Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
Wednesday Afternoon
I remember the message on Instagram from Clare one wet Wednesday afternoon whilst I was halfway through my maternity leave… “Julie & I are getting married on Sunday, any chance you’re free?!” I was absolutely thrilled to get to shoot Clare & Julie’s wedding day and knew they’d make it absolutely their own. They had just 4 guests (their two best friends and their two sisters) and it was such a special and beautifully intimate day.
The Most Loving Ceremonies
Alth...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...
Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Hasselblad 503cxi - ILFORD SFX 200
The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...
Queer Representation
I made the first photograph for The Queering of Photography in 2015. I had recently begun my doctoral studies and there I was, in the Royal College of Art studios, trying to make a start with an academic project on queer representation. My friend Ruth had agreed to sit for me and together we set up the studio. Once I placed a piece of masking tape on the floor, Ruth positioned themselves just behind, ready for the first frame. I had brought with me a handful of printouts from photobook...
'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920
Concrete Photography
Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails.
WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
My day-to-day role revolves around Harman Lab where we offer B&W and colou...