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Introduction
I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
The Start
I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them.
Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them.
Taki...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
On Reading — stealing from the best
Nearly all of my photographs organize themselves into loosely defined, open-ended projects that are never finished but often stop at an interesting place for a portfolio, show, or hand-made book.
People often ask; “Where do you get ideas for your projects?” British photographer and educator, David Hurn says; “Our advice to photographers is best expressed by Calvin Trilling: ‘The immature artist borrows; the mature artist steals.’ So steal from the best....
A black and white film community
Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium.
I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...
I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work, including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work.
I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits.
Why do I take street portraits?
There’s two main reasons I do it, and I’ll try to go through them succinctly:
It’s not easy
...
Nolton Haven
Technical info
Film Used FP4+
Format 35mm
Camera Nikon F2
Lens 20mm F3.5 AI. 25A red & 2stop ND filters.
Exposure time 30seconds
Other equipment Manfrotto tripod, Weston Lightmeter.
Location
Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales. It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.
Firstly, tell us the...
Farhya
Tariq Tarey give us the lowdown on how he captured this striking portrait.
Technical info
Film Used - Ilford FP4+
Format - 4x5
Camera - Wista
Lens - 180mm Nikkor f5.6
Exposure time - 1/125
Location - Columbus, Ohio
Firstly, tell us the story behind this image. What inspired you to shoot it?
This image is part of long term project. The project highlights the relationship between African & African Americans women and their sca...