Search results for: 'white hang 1'

When I told my friend that I was going to write a piece explaining why I chose to shoot the Pride event in Salem, Massachusetts in black and white, she just laughed and told me to get on my soapbox. I'm not sure what a soap box is but if it helps me explain why I think that black and white film is incredibly important as a medium and not “old fashioned” as some think, then I'm on it. Bring me a soapbox! How it Started This started when I posted a photo on Instagram of a couple sharing a kiss at the ...

The theme for this weeks #ilfordphoto #fridayfavourites was #developedbyme. There is no better feeling than knowing you developed it yourself, truly a game changer. Have a look at this weeks submissions. @TassieFilm Replying to @ILFORDPhoto #ilfordphoto #fridayfavourites #developedbyme Leica IIIf (1952); Leitz 3.5cm Elmar f/3.5 (1939, un-coated); Ilford FP4 Plus 35mm black & white negative; Exp: 2-4 sec @ f/9; ID-11 1 + 3 20C/22m. #Tasmania #MountFieldNationalPark #Wilderness #Waterfall #blackandwhi...

Community Grant Shortlist We received hundreds of applicants for the grant and choosing just 5 for you to vote on is always difficult. Please ensure that you read all of the submissions before casting your vote for your favourite. FLATS Teen Summer Camp - Jessi Bowman We are looking to launch a free summer camp for teens, using our community darkroom to introduce young students to the magic of analog photography. Our goal is to remove financial barriers and create an accessible space where they can le...

Part 1: We’re Going to Be Friends My story with Ilford SFX began as many stories do: an impulsive act. I saw it while standing in line at my favorite camera store. Small boxes stacked neatly in a bin. Pattern and repetition. White, black, and purple. Great marketing at work. In hyper-cut scenes that would make Edgar Wright jealous, ten boxes of 120 film were in two rows in front of the clerk. He peered across the counter at me. He looked at the two rows of film and raised his eyebrows as if he was get...

Introducing our 61st In Focus interview with Torz Dallison. Torz started shooting when she was a teenager, but it wasn't until she started developing and printing that she became hooked. Through her work, Torz explores life's traditions and connections which reflects on her own personal stories and events. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? The Robin - 2019 This is the central image to my project The Robin. I began the proje...

For our 12th Behind The Film interview, we speak to Jonathan Osborn who is one of our scientists here at ILFORD. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Jonathan Osborn and I am a Scientist at Harman.  I am currently in my 25th year working at ILFORD.  (Where did that time go!) Tell us a little about your day to day role. Predominantly I have worked on the photographic paper side as the lead scientist on the development of the fantastic new ...

For many years I have been disillusioned with what direction my photography career was moving in. The overwhelming abundance of images from digital capture. The demise in a true art (in my mind anyway) of images being overcooked and very unnatural at times. However thankfully I got back my Mojo by selling every bit of digital kit I owned. It felt like a total weight of my shoulder. I needed this new direction and to learn a totally new discipline. Taking my work that extra step further I decided to go to ...

4th of July weekend It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs. What it became over the next ten weeks is the Longmo...

Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? World - Museum -Liverpool - 2019 - HP5+ It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...

We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography. A little bit about yourself Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...