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Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
HUNTING ISLAND XVI, 2018
Technical info
Film Used Ilford Delta 100
Format 4x5
Camera Chamonix 045N-2
Lens Fujinon SW-90
Exposure time Approx.2 minutes
Other equipment Sand & shells, to taste.
Location: Hunting Island, South Carolina, US.
Tell us the story behind this image. What inspired you to shoot it?
This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
The Outlaw Project shooting portraits with a large format camera
The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera.
In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...
Crumble
We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image.
Technical Info
Film Used: Ilford HP5 PLUS
Format: 120 (6x7)
Camera: Mamiya RB 67 Pro-S
Lens: 90mm/3.8 Mamiya Sekor
Exposure time: 1/100
Other equipment: Changing bag with an extra 120 spool.
Location:
Top—Philadelphia, PA | Bottom—Bradley Beach, NJ
Firstly, tell us the story behind this image. What inspired you to s...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
Pepperwood 1 - Clyde Butcher
Technical info
Pepperwood Redwood Forest #1
Avenue of the Giants State Park, California
8x10 inch Deardorf view camera 90 Snyder Super Angulon XL lens
no filter Delta 400 film f/45 exposure: 10 minute
Printed on: ILFORD Multigrade fiber base
Tell us the story behind this beautiful image
Long before I became a photographer, the redwood forests of California left me in awe. The enormous size of the trees - and their feeling of eternity - captured my soul.
In 196...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
Violin
Technical info
Film Used: ILFORD HP5 plus 400
Format 120 (6*6)
Camera Hasselblad 503CW
Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4
Exposure time Double exposure (f/5,6 1/30s)
Location: Petrozavodsk (Russia)
Tell us the story behind Violin. What inspired you to shoot it?
I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...
Terrain
This project recently exhibited at the Golborne Gallery, London
Road Trip
All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again.
Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape.
The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...