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Wilber (@ccs_wilber) wheelies down a hill in Medellin.
BikeLife
The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world.
12-o’clock wheelies...
The lessons I’ve learnt
I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time.
If you have any questions
I could talk about double exposure for hours and go into a huge amount o...
In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023.
WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
Dialogues With Nostalgia
My work in photography is deeply connected to light and emotion. Black and white analog photography allows me to explore these elements with a unique sensitivity, where each image results from a constant search to capture the ephemeral and the timeless. I shoot with ILFORD Delta 400 and ILFORD HP5+ films, using cameras such as the Mamiya RZ67 Pro II, Nikon F100, and Nikon F6, because their grain and tonal range offer a texture that dialogues with nostalgia, memory, and melancholy, ...