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Urban Lives and the Natural World
I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project.
There's a little bit of history in this direction with work from grea...
After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published.
1987
In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...
One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite image I have made so far would have to be this image. I made it while I ...
Another great week for #ilfordphoto #fridayfavourites with plenty of great #ffheight images to choose from. Thank you to everyone who shared with us on Twitter and Instagram. These are our favourites this week
my7views The Crane Houses in Cologne, by Hadi Teherani.(Taken with Olympus OM-1 on Ilford Delta 100.)#fridayfavourites #ffheight
@dmbloor Looking (or locking) down. Near Etruria Industrial Museum in Stoke-on-Trent. Canon EOS 5 (that is film not D !) on #ilfordphoto #Delta400 for this week's #f...
The first roll
It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400.
This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
THE ILFORD PHOTO ANNUAL ULF SHEET FILM ORDERING WINDOW FOR 2021 IS NOW OPEN!
For the 16th consecutive year, we're giving photographers the opportunity to order selected custom sizes of ILFORD sheet film and other specialist products without the constraints of the usual minimum order quantity.
We know many of you look forward to this and, despite the delays caused by COVID-19, we remain committed to running this campaign. ULF photographers have until Friday 20th August 2021 to place their orders with...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...
Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
Light in the Dark
Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right.
I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...
A straightforward theme for today's #ilfordphoto #fridayfavourites #sunnyfilm theme as we head towards Summer. We asked you to share your shots in the sun!
@fejling The B&W (FP4+) photo taken near Edale late one sunny afternoon. Taken using Leica MP… #sunnyfilm #ilfordphoto #fridayfavourites
@jamieworsfold Sunny and tuneful at the same time! This was shot with an Olympus OM10 on Pan 400 in Locronan, France.
@PhilBixby Final #sunnyfilm #fridayfavourites with shadows on ...