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We really enjoy theme free weeks like this one where we don't set you a theme for our #ilfordphoto #fridayfavourites and instead ask you to share any image made with our products.
@davejsherwood A shot of The Shard and London Bridge for this week's #ilfordphoto #fridayfavourites #themefree. Shot on #delta3200, which I'll be using to document Castlerigg Stone Circle this coming week.
filmphotokkg Ryota #darkroom #silvergelatin #analogmagazine #ilfordphoto #ilfordfp4 #leicafilmfriday #leicafilmfrien...
We love grain and after seeing the images that you shared with us for this week's #ilfordphoto #fridayfavourites #ilikegrain theme, we can see that you do too.
@n3gabeatsThat time when I didn’t want the grain in the photo, but when I saw it I really liked it. The photo was taken on HP5 #ilfordphoto #fridayfavourites #ilikegrain
@thewhitedarkroom Repost as a contribution for @ilfordphoto's #fridayfavourites #ilikegrain. And well, I do! And who does not? ? Printed on 13x18 #ilfordphoto Multigrade...
One Specific Speed Rating
Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...
Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
Concrete Jungle
At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ€...
The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
The Love Affair
I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me.
Something Was Unlocked
As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...
Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+
This is an image of Arianna, a snake handler from the town of Cocul...
Oh, crap! What have I done?
Let’s see. I committed to do a solo photography show, with twenty-seven images. All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed. And those will be 20x24 prints. Yeah, and I need to have them matted and framed. The icing on the cake? I have just under three months to do this.
Yep, this is going to be an interesting project. But let’s back up to the beginning.
The Event
It was April 2023, three years after the pand...
We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series.
Image Title
River Of Light
TECHNICAL INFO
Film Used
ILFORD FP4 Plus
Format
120/617
Camera
Linhof Technorama 617s III
Lens
Schneider 250mm Tele-Xenar
Exposure time
1 second
Other equipment
Gitzo Explorer Tripod, Lee 100 red filter
Location
Ober Goms, Geschinen, Valais, Switzerland
F...