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The first roll
It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400.
This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...
Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...
Light in the Dark
Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right.
I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...
Light and Details
Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs.
When I started out photographing, I was mostly documenting my close friends and...
Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview.
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
Melanie King was first introduced to us by Lucy Ridges, and since then we have heard her name mentioned from several different people. It was fantastic to be able to learn a little more about her when she agreed to take part in this series.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favourite image is Ancient Light, Emiliano Cardone Observatory, Casalattico, 2018. This photograph was produced when my collective, Lumen Studios, ran an...
And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head.
Inhabitants
Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
We first met Lucy Ridges a few years ago virtually via social media and then in person at The Photography Show and have always admired her work. Her #MyFilmStory video gave us a bit more of a view into who she is and why she shoots film and this In Focus interview builds on that.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is one of my favourite shots from my most recent project, Water’s Edge, released earlier this year. It’s an...
Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming.
Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me:
“Who shapes whom more:...
We have been privileged to be able to follow Rita's journey as she started out shooting film and moved through the formats from 35mm to medium format and found her own unique style.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you
This image is entitled “SANCTUARY”. I came across this couple while double dutching with a friend at Grant Park in Atlanta, GA. I was frozen by their apparent love for each other. It was pure and could be fel...