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Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...

Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...

Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...

My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...

So, from the official ILFORD Photo website: It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users. With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...

In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...