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As well as being a photographer and darkroom printer, our 27th 'In Focus' interviewee Max Bedov also custom makes darkroom equipment based on his years of experience.
Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This frame was taken in Provence on Ilford film Delta400 exposed as 640. Generally I am not keen on an astrophotography but this particular shot is very memorable to me for a several reasons.
2016 -Alpa SWA 6x9 -DELTA 400 -Provence - MG...
A chronic case of GAS
To cut a long story short. In a previous life, i.e. before kids, I suffered a chronic case of GAS (Gear Acquisition Syndrome) and ended up as the proud owner of a Richard Ritter 7x17” Ultra Large Format View Camera. As every GAS sufferer believes, buying your way out of limited talent is the only path to follow. The plan was to produce stunning panoramic negatives for Platinum/Palladium contact printing. The combination of huge negatives, old school contact printing and expensive em...
Nominated originally by Keith Moss back in November of last year. David Collyer is the 31st interview in this series. A documentary photographer who chooses to shoot around themes or projects. David's is probably best known for one of his recent projects All in a Day's Work which received international recognition.
Section 1 - Background
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Blimey! That’s like being asked to choose your favourite child and then expl...
In our digital age, film photography can appear to be expensive and risky but it has challenged me to learn the process involved in taking a photo that captures my intent and tells a story, creating a real sense of achievement.
Over the past year, my confidence in using the medium has grown which is driving me to experiment more. In a world where the media can manipulate colours to affect the audience’s perception, black and white film uses alternative techniques. For example, in colour, red often conn...
There are so many of Ari's images that we have admired over the past 12 months so asking him to take part in this series was an easy decision. We're just glad that he said yes!
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
As we age, time becomes more and more valuable. Every new second is a bigger portion of our future life than the one before. Time is the only thing we cannot buy more of, but we can freeze it with photography. A photog...
A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures".
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I’ve chosen this one because it’s represents a process that has been very special to me recently.
Over the last 2 or 3 years I’ve found a way to use photography to ...
Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence.
SECTION 1 - BACKGROUND
Share your favourite image / print shot on ILFORD Film and tell us what it means to you?
C I G (1: f.13 · 10-sto...
«If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller
Community Of Male Bathers
Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
Camera And Us
Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed.
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