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The Greatest Gift
In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...
Oh, crap! What have I done?
Let’s see. I committed to do a solo photography show, with twenty-seven images. All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed. And those will be 20x24 prints. Yeah, and I need to have them matted and framed. The icing on the cake? I have just under three months to do this.
Yep, this is going to be an interesting project. But let’s back up to the beginning.
The Event
It was April 2023, three years after the pand...
The struggle for life
Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life. This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu.
Zenza Bronica - ILFORD XP2
Submission
For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...
On the Language of Photographs
A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
A Revelation
Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom.
‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’
These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...
Discover how Zach Nichols created this stunning long exposure shot in our 'How I Got This Picture' interview. We have noticed, if it's not a double exposure, your next favourite has to be nighttime long exposures.
IMAGE TITLE
Fire Tower Starlapse
TECHNICAL INFO
FILM USED
ILFORD HP5+
FORMAT
4x5
CAMERA
Chamonix
LENS
Nikon 90mm f/4.5 Nikkor-SW
EXPOSURE TIME
45 – 50 minutes
OTHER EQUIPMENT
1 Can of Atmosphere
LOCATION
Just outside Hot Springs, South Dakota.
FIRSTLY, TELL US THE STORY...
El Parque Nacional
I met Andrés and his buddies at Bogotá's most iconic park, el Parque Nacional. I was filming a video for my YouTube channel (Through the Glass) about the 800 or so displaced Embera indigenous people who were occupying the park. Andrés and crew were skating the park's entrance steps and sharing their boards with a group of Embera children.
The Proposal
The guys asked me where I was from and we got talking about the analog photography YouTube channel I was launching. I proposed ...
A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200
There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...