Search results for: 'trai force'

"I have yet to see — much less produce — a colour photograph that fulfils my concepts of the objectives of art." Ansel Adams. The Tetons and Snake River (1942) Photograph by Ansel AdamsPhotograph by Ansel Adam© The Ansel Adams Publishings. Collection Center for Creative Photography Rights Trust Some of the greatest and most iconic photographs ever taken have been in black & white. Masters such as Ansel Adams, Cartier Bresson, Sir Don McCullin, Mary Ellen Mark and Sebastiao Salgado to name j...

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A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...

Terrain This project recently exhibited at the Golborne Gallery, London Road Trip All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again. Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape. The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...

There was this one scene I wanted to capture.  I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak.  Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface. ...

Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results. I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style. Shades of Autumn I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...

Below are some of the common errors that can occur when processing black and white films. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents. Film entirely blank - No visible images or edge signing A completely blank film with no images and no signing (i.e text in the perforation areas showing product and numbers) - indicates the film has received no development at all. Blank ...

When UK students submitted their prints for the 10th Annual ILFORD PHOTO Student Photography Competition under the theme ‘A Sense of …’ they had little knowledge of what disruption was coming just a couple of months later. With schools and colleges now closed due to the coronavirus crisis and term seemingly at an abrupt end,  we are pleased to be able to look back and reflect on some of the stunning entries we received as well as announce the 2019/20 winner. And the Winner is... Paige Newell - ...

We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...

For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)! Section 1 - The Beginning Share your favourite image / print shot on ILFORD film and tell us what it means to you? Image by Hamish Gill shot on HP5+ That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...