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Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results.
I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style.
Shades of Autumn
I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...
For some years, I have been visiting Central Asia. The region with its unique culture and people is always interesting to me.
In spring 2018 I went to Kandahar, Afghanistan and from there to Mazar-i-Sharif and continued to Uzbekistan and Tajikistan. During the trip, I got sick and it was not very enjoyable. In autumn 2018 I decided to go again and was excited to do it without sickness.
Child During the Work
The plan was to fly to Dushanbe and from there to continue to the Afghan border in Vanj and...
We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'. We're so glad that he agreed.
What made you set up Emulsive.org and what were your initial plans for it?
My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE
EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...
Selfish process?
It can sometimes feel that many steps in my photography process are selfish. Some of these I can take as positive, for example the way I now truly photograph for myself and not to please others. (Aside from client based assignments), as was the case when I was locked into the social media game at the start of my photography experimentation. Other times however it can feel that I’m not doing enough to use my photography somehow to produce some visceral change in the world, despite my curr...
Guy's Instagram caught our eye, with it's mix of 'camera porn', black and white film shots, and classic cars.
We knew he was busy preparing for the launch of his clothing label, Ratino, later this year as well as publishing his quarterly car journal The Road Rat, so we were really pleased when he agreed to take time out of his busy schedule to take part.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I think this shot of Chris playing...
The last days of Summer
As the last days of summer drew to a close I worried about the stock of low ISO films I'd accumulated. As much as I’ve enjoyed my film only ventures over the last year I do worry about the availability of light in London where I do the vast majority of my shooting. Due to limited storage space I can only commit to shooting so many rolls at once, and with the long, bright days diminishing I needed to make sure I had room for as many 400 speed films for pushing (HP5+ & Delta 400...
Cabin Fever
Tired of COVID 'cabin fever' I needed to get out shooting so I concocted a mission to shoot a total of 36 acceptable shots in a 2 day time frame. Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed.
I decided to shoot b&w film. This would not have been my choice a few years ago but the plethora of digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...
This week's interviewee, Wesley Verhoeve has been on our radar for a while so we were thrilled when he was nominated to take part in this series making him our 44th interview.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
It’s so hard to pick a favorite image but I will let recency prevail and select a recent top favourite image that made it into my photo book “Notice”. I photographed a giant leaf in a suburban backyard in beautifu...
We speak to Jim Mortram, who is this week's In Focus interview. Jim is an award-winning Social Documentary Photographer and the creator of these photo stories: Small Town Inertia.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This portrait with Carl, as always for me, was made with HP5 Plus pushed to 800. When I first met Carl & began collaborating with him on sharing his story he was in a bad place. We would talk often but it was mayb...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...