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And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head.
Inhabitants
Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming.
Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me:
“Who shapes whom more:...
Our 56th In Focus interview is with Brazilian experimental photographer Breno Barros. Nominated by Clara Araujo, Breno shoot underwater portraits on film searching for experiential processes that defy traditional photography boundaries.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you
Multiple-exposure for the project “La boutique de l’âme” using Mamiya M645 and Ilford HP5+
My favourite image using Ilford film is due to an experimen...
Dave's photograph received so much engagement and interest when we shared it to Instagram, we had to get in touch so that we could ask how he created this shot.
- Technical info -
Film Used
ILFORD XP2 Super 120
Format
6x6 Medium format
Camera
Mamiya 6
Lens
55mm f4
Exposure time
4½ minutes
Other equipment
Benro Tripod
Location
New Brighton beach lighthouse, Merseyside.
Firstly, tell us the story behind this image. What inspired you to shoot it?
I ...
As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
My Approach
It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
Shawn Pridgen is our 59th In Focus interview. A documentary photographer who owns a small business that focuses on the racial equality, Shawn actively contributes his work to local nonprofits, activist organizations and corporate entities whose mission statements align with his own.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I haven't shot it yet....
Just in case anyone doesn’t know who you are or what you do can you give us the over...
I have not ever owned a digital still photography camera; therefore, my entire life as a photographer centers on 25 years of loading & unloading film cameras, processing & developing film while embracing a love that taught me how to listen to the harmonious sounds of a darkroom. My volition to stay with film does not have anything to do with being against or disliking digital & everything to do with loving the process of film ever since I was a teenager. At the age of 44, this is a tangible pro...
Six Weeks Ago
It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins.
I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...
Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us wh...